, Michelle Sugiyama produces in " Reverse-Engineering Narrative” that " the storyteller models individual behavior. ” But what happens when ever human behavior is modeled to reflect natural animal habit, mirroring the origins of man rather than the socialized creature he is becoming? In her fifth story, Prodigal Summer (2000), Barbara Kingsolver uses her own background in ecology and major biology to tell the normal order of the fictionalized Appalachia. She argues for a Darwinian watch of the need for human relationships plus the passing upon of knowledge by means of progeny: individuals must replicate and increase offspring communally in order to ensure the distribution of both equally their types and their suggestions. By demolishing the assumed autonomy that Deanna offers assumed, that Garnett features adopted after the death of his partner, that Lusa believes this lady has been forced into because an incomer to the Widener family, Kingsolver builds community where it can be least anticipated. Community begins first with propagation, the building of interactions that become sexual, reproductive :. Deanna Woolfe, the to begin three perspective-sharing protagonists, interprets the title expression as " the season of extravagant procreation” (Kingsolver 51). The action of the novel begins on, may 8th and the story goes on through August. The environment is essential for the novel's storyline. " Setting is certainly not passive, ” Sugiyama writes. " It is just a distinctive environment upon which personas act and which they react. On this view, setting is a representation of the potential options for conflict within a given group of circumstances. ” Given the ecological slant from the novel, Kingsolver leans for the temporal setting as a releasing point pertaining to the action. Because of the focus on sex and procreation not just with human beings but through the entire natural world, the events wasn't able to happen if the novel was set in mid-winter, for example.